Usually, when you put one paint layer on top of another, the upper paint layer will be fully visible, while the layer behind it will either be obscured, occluded or only partially visible. This is just one of the many digital image manipulation tricks that Krita has up its sleeve! Krita takes all these layers in its layer stack, including the special effects and combines or composites together a final image. You can edit individual layers, you can even add special effects to them, like Layer styles, blending modes, transparency, filters and transforms. Layers can give better control over your artwork for example you can re-color an entire artwork just by working on the separate color layer and thereby not destroying the line art which will reside above this color layer. Layers are part of the document which may or may not be transparent, they may be smaller or bigger than the document itself, they can arrange one above other, named and grouped. In Krita instead of papers we use Layers. If you want to replace an element in the artwork, you replace that piece of paper instead of drawing the entire thing. Think of an artwork or collage made with various stacks of papers with some papers cut such that they show the paper beneath them while some hide what’s beneath them. Fun With a Pencil is a beginner level book.Krita supports layers which help to better control parts and elements of your painting. The problem I see with many of today’s artists compared to old masters is lack of patience, and being satisfied with instant yes, the books I listed are mostly intermediate to advanced level, but do explore Andrew Loomis’ books a least. By that time he has practiced all the elements and the final work is a masterpiece. First he makes a charcoal piece, then he makes 2 or 3 smaller oil studies of the same scene, and THEN he paints the final artwork. Even modern upper echelon fine art painters, like Casey Baugh for example, make quite a few preliminary works before committing to a final piece, and he is one of the “bravest” traditional painters I’ve seen. There is an entire series about Force, I only have the animal drawing book (what a surprise, I know) but I heard that it’s actually the weakest of the and it definitely isn’t insecurity! The work process described in Imaginative Realism is very traditional - it’s very similar to how great realist masters of the past worked and they definitely were not insecure. Force: Animal Drawing: Animal locomotion and design concepts for animators, by Mike MattesiĪll three are definitely intermediate or even advanced material, I’d say.How to Draw: Drawing and Sketching Objects and Environments, by Scott Robertson.And this topic was totally not opened because I’m looking for stuff that helps me improve myself. We even have a decent amount of professionals here, and I’m sure they know some really good resources. recommended by the Krita community grouped by Beginner, Intermediate and Advanced. Since this site is meant to be about improving ourself as artists I wondered if we should have a kind of wiki page or something where we put links to books, tutorials, guides etc. For me it is a lot of fun looking at their works and telling them about one trick or the other or giving them advice, helping them improve or get over something that I’ve struggled with myself when I was a beginner. ![]() There are a few newcomers on the forum already who are not only new to Krita but to (digital) drawing and painting in general.
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